Customer Reviews
Another Willie concept album
There aren't many songs on this album that stand out individually
(at least in comparison to some of his other 90's albums like Across
the Borderline and Teatro), but Willie's latest concept album is strong
anyway because of the way that the collection of music creates a mood
for the listener. No one does the job that Willie does establishing a
mood with such simple arrangements. Strange as it sounds, this album is
morose and uplifting at the same time. You'll have to listen to
understand
Reviewing My Willie Nelson CDs
If you are reading this you probably already know that Willie is
one of the most creative, powerful, and diverse performers of all time.
In this review, I'm not going to rate the albums, just offer some
insights into the CD's and DVD's that I have purchased - and I'm glad
I've purchased them all.
"The Essential Willie Nelson" is essential. Be that as it may,
Willie's individual CD's are so strong and the songs are so
interrelated, often in a story or a tight thematic format, that they
almost make the "essential" Willie Nelson unessential - but it is such
a great collection of songs, that you can't get as easily any other
way. Definitely worth the buy.
"The Red Headed Stranger" is one of the greatest albums of all
time. It is pure genius. If you get the 70th birthday edition, you get
a remastered track and extra songs. There are no less than six "A"
level songs on this CD, nothing short of amazing. Plus, you get
fourteen minutes of great story telling. As a story teller, Willie is
only rivaled by Native American artist Robert Mirabal ("Indians
Indians", "Taos Tales", "Music From A Painted Cave", "Mirabal", etc.).
"Willie and Family Live", done around 1975, is a great live album.
It has lots of energy. A highlight for me was Willie Nelson, Emmy Lou
Harris, and Johnny Paycheck singing "Amazing Grace" together. It also
contains the fourteen minute story of the Red Headed Stranger,
including "Blue Eyes Crying In the Rain". This live performance of
Willie's first #1 hit is the best I have heard on any album. There is a
little extra "oomph" on every song in the CD. Again, make sure you get
the 70th birthday edition, it has extra goodies.
If you like the early super hits that Willie wrote for everyone
else, like "Crazy", "Night Life", and "Funny How Time Slips Away", then
you need to also get the "Milk Cow Blues" CD. Willie performs these and
more Blues standards, usually in a duet format, with outstanding
artists such as B.B. King - Rolling Stone Magazine's choice as the 3rd
greatest guitarist of all time. Hearing BB and Willie strum and sing
together on "Night Life" and "The Thrill is Gone" is indeed a thrill.
Willie performs this album with a first class Blues band and it is a
first class Blues album.
Willie's latest album, "It Will Always Be" is once again a solid
piece of work. Duets with Norah Jones and Lucinda Williams help make it
special, but the best part of this album is the haunting duet of Willie
and Paula Nelson on the song "It Will Always Be". This is a song that
hits you in the gut, and it rivals Bruce Springstein's "Streets of
Philadelphia" in terms of its raw emotion. A number of people,
including me, cried the first time they heard it: "I'm tied of this and
I'm running out of time; feels like dyin', feels like cryin'; and I'm
running out of time." Say it ain't so, Willie!! A second good song was
written by another member of the Nelson clan. The title song is very
beautiful. The tribute to the land Willie loves, "Texas", is too short
but very meaningful. If this was Willie's last CD, he went out as "The
Midnight Rider", a great song for the leader of the outlaw movement:
"They ain't gonna catch me, I ain't go let `em catch the Midnight
Rider."
"Spirit" and "Teatro" are brother/sister CDs. Both have a strong
thematic core, although they are not stories. "Spirit" is one of those
rare CD's when every note seems important. For most, you'll listen to
it less than the other CD's, but love it equally as much. For a few,
you'll play it by the hours. It is essentially a story of coping with
lost love, redefining your relationship with yourself and with God, and
finding love again. The music and the whole CD are moderately paced,
with a strong, steady spiritual tone to it. It has a light Latin sound,
essential to Willie's roots. Pictures of Willie on this album look like
he came from an ancient Holy Land.
"Teatro" is the mirror of "Spirit". Again, it is a story of coping
with lost love, but the story goes south, ending in murder and
psychological ruin. Teatro means "theater" in Spanish and this is good
to keep in mind in listening to the CD. It is just a play folks! The CD
is very hard-hitting, because Willie's music is very hard-hitting and
very close to the heart. The music tends to have a lively beat, with
strong Latin overtones. Its haunting nature is reinforced by Emmy Lou
Harris, who accompanies Willie on most of the songs. The back picture
on the back of the CD case is one of the best pictures of Willie ever
taken.
The "My Life" DVD is well worth the buy. The story ends before the
90's, but there is a brief update. I knew about Willie and Farm Aid,
but I didn't know about the scope of his philanthropy and the diversity
of populations targeted in his giving until this DVD. I was also amazed
to learn that he paid his $16 million IRS debt off in one year, selling
$17 million worth of songs as info-mercials to radio stations. That's a
lot of love, translated into a lot of power.
A number of people criticize the "Live In Amsterdam" DVD and some
of the criticisms are merited. But hey, the DVD has a large collection
of great songs. Some criticisms are not fair. You perform differently
and 70 than you do at 40, it is a biological rule. Willie's shows have
always moved quickly from one song to the other, so the pace of the
concert is nothing new. The love from the audience is shown at the end
when Willie is signing autograph after autograph. The bottom line is
this, if you like Willie, if you would like to watch him live
occasionally instead of just hearing him through the box, and if you
want those images of him at 70, then you should buy this DVD. You'll
find it worthwhile.
In the final analysis, the raw power of Willie's work, formed by
singing in the cotton fields with Black and Mexican laborers, and his
keen insight into what people really want in music, formed not through
record company analysis but through live performances on the ground,
make Willie Nelson one of the most creative, powerful, and loved
performers of all time.
One he most inspired, deep-rooted performances of his career
This album is a must for any true Willie Nelson fan. The laid back
but powerful "attitude" that is vintage Willie is made even more
inspiring by the incorporation of true south-of-the-border flavor.
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